Material + deformation → tactile motion study
Generate a text-free material keyframe, animate one controlled MiniMax H3 deformation without audio, and finish with a verified verbatim title overlay.
Run it
AI Agent
Terminal
New here? Quick start
brew install pipe2-ai/tap/pipe2 go install github.com/pipe2-ai/pipe2-cli/cmd/pipe2@latest echo "$PAT" | pipe2 auth login --token - Change the result
| Input | Type | default | Description |
|---|---|---|---|
--material | string | defaultpearlescent foam pebble | The material sample shown in the opening frame and preserved through the motion. |
--action | string | defaultcompressed once by a smooth porcelain stamp, rebounds, and releases tiny iridescent bubbles | One visible deformation with a clear start, response, and settled finish. |
--title | string | defaultSOFT MATTER STUDY | The exact title burned into the final video after generation. |
--ratio | enum | default9:16 | Frame shape for the keyframe, animation, and final title treatment.9:16 · 16:9 · 1:1 +29:1616:91:14:33:4 |
--seconds | int | default5 | MiniMax H3 clip duration from 4 to 15 seconds. |
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Creates a text-free opening keyframe with the material centered and the interaction staged just before contact.
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MiniMax H3 preserves the keyframe while performing one controlled, silent deformation in a locked macro shot.
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Burns the supplied title into the finished clip and verifies that every character was preserved.
Why it works and what to change
Why it works
The opening frame is a material contract. It fixes the sample, tool, lighting, and camera before motion generation starts, so MiniMax H3 can spend its short shot on one physical response instead of inventing the whole scene while it moves. A short still hold makes the first contact legible. A settled final beat lets the clip end cleanly.
Typography comes after the generative motion. That separation keeps stray letters out of the material image and stops the video model from warping a title during deformation. The final title is burned onto the completed clip, and the recipe rejects the result if the text treatment changes any supplied character or invents a subtitle.
The knobs that matter
material— name a material with a clear surface response, such as foam, gel, wax, clay, or woven fibers.action— describe one force, one response, and one settled finish; a single readable beat is more stable than a sequence.seconds— use five seconds for one compact interaction and add time only when the material needs a slower rebound.title— keep it short enough to read at phone size; its capitalization and characters are preserved verbatim.
See the manifest for framing and the full input set.
Notes
Keep action literal. Camera moves, scene changes, or a second deformation compete with the material response and make the result harder to loop. If the opening image already shows the end state, simplify the action wording so “immediately before contact” has only one interpretation.